Several teams of paramedics and cops show up, with a handcuffed kid (Aymen Saïdi) arrested at a riot hauled in too, and la femme turns Terminator, littering the home with mutilated corpses. In recent years, ruthless efforts like Irreversible, Haute Tension, The Horde and Martyrs have changed that. xGary McMahon I’d say “Martyrs” is the best recent French horror film – that one impressed me in a way that no film has for a very long time. This will mark that portion of the message as a spoiler. Sarah mistakenly kills her own mother – incidents like this have been commonplace in horror since The Descent, though the first version I can remember is in the otherwise rubbishy Don’t Go in the Woods Alone – but barely has time to feel sorry about this since more folks have to be bloodily done away with. Ana's heart has been torn out. In execution, it surprisingly lets the audience off the suspense hook to go for CGI-assisted ketchup-sloshing in the almost cheerful Herschell Gordon Lewis manner rather than the nerve-stretching, you-can’t-watch-this approach of, say, Gaspar Noé.It opens inside a womb, with a big CGI foetus whiplashed in what turns out to be a car crash. A l'intérieur est un film d'une rare violence, un combat entre deux femmes animées par l'amour d'un enfant. Inside ought to be the most upsetting movie ever made, but somehow it’s inappropriately entertaining in the Christians-to-the-lions mode of the video nasties. Use the HTML below. The final scene is of the unnamed woman in a rocking chair with the baby.In short, WTF? Sarah, a news photographer, is bloodied but alive at the wheel, next to her just-killed husband. Dans ce film il n'y a pas de place pour la pitié, c'est un combat à mort avec du sang, encore du sang, toujours du sang. It used to be that (Georges Franju aside) French cinema was too wussified to produce all-out horror movies, and its few exercises in the genre (like Jean Rollin’s vampire films) were more interested in eroticism and surrealism than nastiness and shock. Angèle, 29 years old, investigates alone for her first case.


In France, in this day and age, it’s really sad if the best gesture they can make towards realism is suggesting that women are constantly, brutally punished and worse, that they somehow deserve it.I completely agree. Introducing Spoiler Tags! Our Mustang Spoilers are being sold at bargain-basement prices, so add a Mustang Chin Spoiler to your Mustang without breaking the bank! (S1E2) - A l'intérieur : Angèle Maury découvre un élément troublant : Ana est née le même jour et la même année qu'elle. Desperate to get her family attention, an overworked mother, lie to them about her condition.
We get few clues as to what she was like before the accident, but Sarah is such a snotty bitch it’s hard to care about her (or, even, her unborn kid). Dzień przed planowanymi narodzinami nachodzi ją upiorna kobieta z morderczymi zamiarami. On Christmas Eve, in an isolated house (understandably free of decorations), the extremely pregnant Sarah (Alysson Paradis) is menaced by an lady maniac (Béatrice Dalle) who wants to cut the baby out of her womb. Car spoilers were originally designed to reduce aerodynamic lift on racecars to give them better high speed traction. It used to be that (Georges Franju aside) French cinema was… But the emphasis on effects and the way characters take appalling injuries but keep on fighting smacks of horror film convention rather than life, and so the film turns into just another gore-fest.Late in the day, la femme reveals she was in the other car in the accident and wants Sarah’s baby to replace the one she lost – but, again, we get no clues as to who’s fault the accident was, whether la femme has a husband around, or even why the maniac thinks the best way to get redress is to perform an impromptu caesarian section on the unwilling mother (presumably, at the risk of the baby’s life) rather than simply to kidnap the kid after its safely born (of course, that would be a different film – less horrible, but probably scarier). I haven’t thought about what this trend means but it is precisely the type of cruel nihilism masked as a important social statement or realism that is pushing me away from this genre.I had a similar feeling after learning that the original ending of The Descent had the main character dying in the cave while hallucinating about her dead daughter. JR2 Rear Window Roof Spoiler for 2009-2014 NISSAN MAXIMA A35 7th Gen(Unpainted) $26.39. The inquiry shakes Angèle's grip on reality, driving her to the brink of madness.

On Christmas Eve, in an isolated house (understandably free of decorations), the extremely pregnant Sarah (Alysson Paradis) is menaced by an lady maniac (Béatrice Dalle) who wants to cut the baby out of her womb. Some months later, on the point of parturition, Sarah is a glum, unwilling mother-to-be.

La Femme, with half of her face melted off due to an earlier self-defense attack from Sarah, cuts her stomach open with a pair of house scissors, reaches into her belly and pulls out the baby along with the surrounding viscera while Sarah squirms. À l'intérieur est le premier long métrage des réalisateurs Julien Maury et Alexandre Bustillo , mais également la première fois que la jeune Alysson Paradis , la sœur de Vanessa Paradis , tient le premier rôle. Three kids skip school in order to explore an abandoned film studio lot where they catch site of a woman being dragged across the lot by a masked man. La Femme, with half of her face melted off due to an earlier self-defense attack from Sarah, cuts her stomach open with a pair of house scissors, reaches into her belly and pulls out the baby along with the surrounding viscera while Sarah squirms. Cheers for a great review. Two friends decide to live all the things they couldn't after a huge misunderstanding. Looking for some great streaming picks? Created by Bruno Dega, Jeanne Le Guillou. Once the comment is posted, the spoiler text is hidden by a gray background overlay. Soy Sara y estoy embarazada.